The UK festival season has kicked in: everyone’s talking about summer and, if you’re that way inclined, you’ll want tickets to your favourite field party. So how are festival organisers making the most of it? I compared ten of the UK’s top independent events on social media, using Brandwatch to track mentions and hashtags.
Unsurprisingly, there’s a healthy conversation around music festivals in April and May (5980 mentions in total), with a strong contribution from mainstream media (led by online local newspapers).
Kendal Calling and Festival No 6 come out top of the comparison, with volume of mentions roughly in proportion with their social media following. Secret Garden Party does less well – despite having nearly the same number of Twitter fans as Kendall Calling (around 50,000), they generate less than half as many mentions. Continue reading →
There was a hint of rebellion bubbling under at last week’s Social Media Week London. But despite Will Hayward of Dazed (above) kicking off the conference with a fabulous call to arms – wanting all of us to turn off our ‘content pipelines’ and start doing something more interesting instead, most sessions reverted to business as usual, focusing on brand-building tips and tactics.
Here are my top three takeaways from the week:
1. Short-form visual content is overtaking the written word: the most popular ‘word’ online in 2014 was the heart emoji (Twitter’s Tariq Slim). Twitter reported a massive rise in short-form content (Periscope, stop motion Vines and gifs). Jonathan Davies from Buzzfeed noted the same, citing animated Vines and gifs. Ed Couchman from Facebook has seen a huge rise in emoji, stickers and photos. By 2018, he says, 9/10 pieces of Facebook content will be video. Continue reading →
The whole project looks like a great metaphor for organisations doing “social” badly: by externally “rebranding” Africa, L’Uomo Vogue manages to demean a whole continent while also continuing to assert a kind of outdated colonialism in proposing its own ill-informed solutions to complex issues such as Nigerian economic inequality (build a Rodeo Drive, apparently) and devoting full-page spreads to people like Diezani Alison-Madueke, Nigeria’s oil minister, widely considered to be one of Africa’s most corrupt politicians.
The “Rebranding Africa” issue of L’Uomo Vogue has not surprisingly upset a whole load of people. The irony is that the editors can’t see what all the fuss is about: they are “listening”, right? They are “paying attention”, surely? They are even “engaging” (see the response of Franca Sozzani, Vogue Italia’s editor-in-chief, to a blog comment, below).